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Photographs of
the brig, The Lady Washington
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There are other pictures of the Lady Washington in the Life on
Board section. If you like looking at little details then you will
appreciate the redundancy. Compare these pictures to the ones of the
Endeavour, in it's own section. Notice that on the Lady Washington and the
Endeavour there seem to be lines running everywhere, while on museum ships there
aren't as many. This is because museum ships don't have all the
running rigging required for working sail, since they have no sails. There
is probably three times more rigging on a working vessel than a non working one.
 
The brig, Lady Washington, is a replica of a typical late 18th century trading
vessel. She is the Washington state tall ship and was built in 1989.
She weighs 170 tons, is registered at 99.9 tons, is 110' over all length, draws
11', caries 11 sails and is a really wonderful vessel to sail. She
can tack on a dime. (I did say tack ) The Canadian
flag is flying on the foremast because she was sailing in Canadian waters at the
time.
Here we are sailing along in the ocean under all square sail on a port tack; the
fore-course tack is boarded on the port side. The clump of furled canvas
is the mainsail brailed up, which was usually done in the 18th century rather
than lowering the gaff.

Approaching land we have the fore-course reefed for better visibility.
That pill shaped plastic thing hanging from the catharpins is a radar
reflector. Wood and canvas don't reflect radar very well and if the freighters
can see you at night they usually attempt not to run over you.
There's not much wind and we have everything set, even the spritsail, which is
seldom ever useful.
The main-topsail full and drawing.
 
The head gear is a rather complex collection of things that changed drastically
during the beginning of the 19th century. One handy feature is that
the jib-boom can be retracted. The unhandy feature is that there is nothing
under the jib-boom to hold it down, even though the topgallant and royal stays
are attached to the end of it. In the right hand picture you can see some
white lines running from the end of the jib-boom and through bullseyes on
the spritsail yard. These lines are the jib-boom-guys. When you are
going to weather and need some support for the royal stays, you cockbill the
spritsail yard and bowse down on the jib-boom-guys which act as a truss.
By the beginning years of the 19th century the dolphin-striker and martingale
were invented, which provided a permanent truss but interfered with the
spritsail, which became obsolete.
Here you can see the jib-boom retracted, which makes the encounter with docks a
bit easier. The course yards are cockbilled to avoid pilings. Notice
the nice furl on the fore-top, fore-topgallant and the main-topgallant.
The main-top isn't quite as good. The furl is supposed to set high on the
yard and have the bulk of the canvas in a hump in the center with as little
canvas as possible on the outer parts of the yard. It is also supposed to
have a smooth skin on the outside to repel water. You will notice that all
the furls in the Antique Print section are excellent; old-time sailors took
great pride in good furls.
Don't try this at home, folks. This is the view from the topgallant
yard-arm looking across a very bad furl. If an 18th century sailor did
this and came down on deck, something terrible would have happened to him.
The Lady Washington has an active volunteer program, which means that people are
learning as fast as they can and things are not always perfect.
 
The view from aloft. Even though this is a fairly small vessel it seems
quite tall when you are up there. The furls are quite embarrassing, but
this was at the beginning of a tour and we didn't have it down yet.
Eventually we developed a rivalry to see who's furl had collected the least
water after a rain. This is important to people standing on deck when the
gaskets are cast loose.
This photo, taken by someone who was sitting on the gaff, gives a good
view of the helmsman and tiller. One would think that a 170 ton vessel
could have lots of force on the rudder and one would be correct. Controlling
the tiller
would be impossible at times if it weren't for the relieving tackle, which you
can see running athwart ships across the tiller. One part of the tackle
runs through a lever brake on top of the tiller. One person can handle the
tiller under most circumstances, however I once needed five people on the tiller
when I brought the Lady Washington across the Columbia River Bar.
All sail set, full and by.
 
Ensigns of this period were very big, but the real
point is all the nice rigging.
The fore-top. If you come on board looking for the boatswain, just look
up. He's up there puttering with something; everything has to work and
maybe with a little more puttering it can work even better.
Modern sailboats have about 5 lines and if you go to a marina on a windy day all
of the lines on all of the boats are clattering. This little brig
has over 100 lines that belay on deck and lots that belay aloft; several miles
worth. On a windy day the vessel is silent; nothing clatters, and nothing
is allowed to chafe against anything. On a extremely windy day the
rigging sings; the wind vibrates everything like the strings on a violin.
Very cool.
This great detail is the mouse on the main stay and the main jumper stay.
The stay takes a half turn around the main mast and the eye in the end of the
stay fetches up against the mouse. The stay is wormed, parceled and served.
Looking aft at the main mast. Notice the boom jaws with parrel and parrel
beads setting on the mast collar. The chimney is from the
diesel stove in the galley.
  
At dock. So you got this 170 ton floating object with a single screw,
tiller steering, lots of windage and no brakes, which you need to get
stopped at the dock. It takes practice and is the most fun thing the captain gets
to do, since all the sail commands are done by the first mate.

When you get to the dock a crew member needs to get on the dock as soon
as possible to handle lines. If you wait until the vessel is close enough
to the dock so that someone can hop down, then it could be too late for the line
handling. So we used a new invention in the square-rigger world: the
splatline. A stout piece of rope is attached to the fore course yard
arm and the jumper stands in the chains with the end. When the time is
perfect he is supposed to swing gracefully to the dock and land. However the jumper in the left
hand picture has his timing a little off and may not have made that jump,
which means that he is then dangling about
8' from the side of the vessel over the water on the end of a rope . This is a potentially dangerous situation
because everyone on board is laughing so hard that it is difficult to hear the
rest of the commands regarding docking.
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