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Print Archives
The
following links are for the antique print section only. If there is no
navigation bar at the left, click HERE to go to the main
site.
The items in this section are not for sale, but will remain here for
reference. All the antique prints on this site are archived on CD in a
high resolution printable format and will eventually be available.

Yarmouth Quay, England c. 1840. The largest vessels in these three
engravings are brigs, which leads me to believe that Yarmouth was active in
costal and continental trading. In the days of cotton sails, rot was an
ever present problem, which required the sails to be set for drying on windless sunny
days. These two steel engravings show the view from the bridge; river boats with folding masts can be seen heading in that direction.
If anyone has more specific information about the small craft, please let me
know.
The entrance to Yarmouth with a leeboard sloop leaving the
harbor. The boat in the foreground is weighing an anchor, who's cable is coming
from the sloop. In order to get out of the narrow entrance, a boat would
drop an anchor and the larger vessels could kedge themselves out far enough to
catch some wind. Notice how all the seawalls are boarded over to minimize
the damage from running into them.
The following 10 copper engravings from 1790 are English engravings of French
ports. They have wonderful detail, which can be best seen from the archived CD
and viewed on the computer. This one is the port of Dieppe.
Havre de Grace.
Rochelle. The ship in the foreground is at anchor drying its sails. There
are some guys on the yards.
Rochefort. The ship on the left has a barge laying along side with a crane
stepping the main mast. Once the lower masts are in all the upper masts
can be swayed aloft from deck by the crew.
Bourdeaux, taking in stores.
Brest. The ship on the left is heavily laden and there are lots of guys aloft preparing to set sail while the wind is favorable. There are some
ships in the distance having their masts stepped.
St. Malo. Notice the guy on the carriage throwing a scrap to a dog.
Port L'Orient. The ship on the left is having its water line charred to
help keep away the barnacles and worms. The rather curious crane has a guy
being lowered on the cable.
Nantz. The ship that appears to be on fire is careened over and having its
bottom charred.
Marseilles.
Fog on the Grand Banks c. 1880. Although the mizzen cannot be seen it is probably
a ship. She has double topsails. The starboard fore course
studdingsail boom is hauled out but the crew is probably taking in the
studdingsails in order to be a little more maneuverable, having just come out of
the fog and found themselves in amongst lots of fishing boats. The two
fishermen are in a great little Grand Banks dory with the schooner nearby.
Texel Island 1849.
The Jeff Borden 1875 7" X 10" . Original
text
The Victoria 1843.
Original
text The Victoria has a spritsail yard even though the invention of the
dolphin striker made them obsolete about 40 years earlier. They probably
didn't even have a sail to set on the spritsail yard, since all the other head
gear would interfere with it. This is a very early clipper.
The George Griswold 1863 10" X 15"
A clipper with double topsails is being towed into an English port.

The Fortified Cliffs of Alava This beautiful steel engraving is dated 1843
and is in excellent condition. The image is 5"X7 1/2" on
8"X10" heavy paper.

City of Waterford, Ireland. 1831 The image is 4" X 6" on
8" X 10" heavy stock.

Lighthouse
Im Harfen NYC A German steel engraving of a dock scene in NYC from
about 1870. The image is 6"X9" on 9 1/2"X13" medium weight
paper with nothing on the reverse.
The United States squadron under Com. Baimbridge 1815.
The first view of Com. Perry's victory.
The second view of Com. Perry's victory.
Com. Macdonough's victory on Lake Champlain.
The Chicago 1890 10" X 15"
Original
text The days of sail in the navy are just about over. The rig has
been reduced to a minimum and would be used during emergencies.
The whaleback steamer C.W. Metmore 1891 7" X 10"
The Artic 1854 7" X 10"
Original
text
The Mississippi 1853 6" X 10"
Even thought there are boats coming and going, she is in
the final stages of tacking. In another few seconds, as soon as the
main fills, the fore will be hauled around and she will fall off on a
starboard tack.
The State of Indiana. 7" X 10"
The City of Rome1881 6" X 10" Original
text
The English racing yacht, Shark, 1855. 6"X 9".
The Racer 1851 6" X 10"
Original text
They probably just tacked and haven't gotten the main course set yet. The
course is typically clued up while tacking to keep it from fouling on things.
The City of Mobile 1856 6" X 10"
Original
text Almost all sail is set; they still have room for the skysails and
studdingsails but those sails are a lot more work to set and would only be used
if they were going to be on that course for a long time. This is not a war ship
but is painted to look like it has gun ports.

Fishing boats on the lagoon, Venice
. The image is 6" X 9" on 8" X 11" heavy card. This is a
beautiful steel engraving in excellent condition.

Triomphe de Dequesn . A 5"X7" image on 7"X10 1/2"
medium paper with nothing on the reverse. This is a late 19th century French
steel engraving of a 17th century painting. It is in very good condition with no
foxing.

Hurst Castle 1837 The image is 4"X6" on 8"X11"
heavy paper. This is a very detailed steel engraving with some
foxing.
The Chanticleer, Edgar and Shannon 1862 10" X 15"
Original
text These ships are laying at anchor with their sails hanging out to dry.
The HMS Nile. 1855 7"X 9". Crimean War.
The Constitution 1879 7' X 10"
Original
text The constitution ran aground but by this time she was reduced to just
hauling things. The text is very interesting.

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